art projects
Dear Sasha,
Thanks for your message — and it’s interesting and exciting to see
how our interests intersect! You’re performing various levels of
energy; I’m interested in finding out what people think (and do) about
various levels of energy. Maybe there’s potential (energy!) for
bringing our projects and perspectives together???
Thanks again for the performance, for writing, and for this
interesting, ongoing conversation!
All best,
Stephanie
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Hi Stephanie,
Yes I think that we could collaborate, in some way.
In the mean time if you have ideas that you could write here, that’s a start!
Best,
Sasha
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Dear Sasha,
I’m in the process of writing a chapter on “sliding registers” that people in New York City
seem to have regarding energy; energy is a physical force in a formal, scientific sense,
but it is simultaneously a spiritual force, involves an element of belief or religion,
is an embodied spirit, is a sense of collective dynamism, is a political issue of control,
and affects people’s sense of individual agency.
I find myself thinking back to your marvelous performance of energy at your “Energy Shrine”
last October on 14th Street, and wishing I had managed to write down some notes from the
captivating captions (pun intended!) that you had projected from your computer,
a ticker-tape commentary about sliding scales of energy that overarched your performance.
Would you be willing to share with me the ideas or the text of what you were communicating
through those energy “facts” and captions?
I would still be very eager to get together with you to talk about our shared interest in energy.
(By now perhaps your performances have moved on to other topics!) If you would be game to meet,
perhaps we can get together to share a cup of coffee and conversation sometime this spring.
For my part, I would be very happy to send you the article that I’m working on,
based on ethnographies of energy in the south Bronx.
I hope that this message finds you well!
All best wishes,
Stephanie
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Dear Stephanie,
Hello! Yes I am planning a
different performance for this coming October, as the theme this year
has changed. But I’d be happy to share with you the text that I
included in the Energy Shrine performance, that is if you are still
needing that. It was a mix of information from different sources,
some even from some people that I met on the street there as I was
starting to paint the wall mural. A father and son stopped there and
gave input on Einstein and physics. Absorbing or digesting
information and energy is an amorphous and organic process. The
performance was meant to provoke associative thinking, that which is
different for each spectator/participant. The text includes facts,
related tangents and written observations from different time periods-
they may seem a bit disparate when taken out of context of the piece.
I’d be very interested to read your article on ethnographies and south bronx.
Best,
-Sasha
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BIOLOGICAL LIBERTY: A RESEARCH PROJECT
In a performance/research project, subjects in a social setting were surveilled with video and observed for behavior patterns. People were invited to discuss topics on violence and the body as relating to personal experience and as well to global aggressions.
The data analysis aims to reveal a mapping of unconscious and conscious choice. The interpretation examines how perceived thought contradicts human nature.
Scrutiny of the data draws parallel to incidents where unpredictable outcome is caused by a lack of understanding human behavior, or by not being attuned to our unconscious nature. The study attempts to gain insight on why for example, we are subject to relationship breakdowns, political failures, and faulty military decisions.
Very excited to be participating, with video and performance, in an event by Simon Leung.
The Kitchen, center for art, video, music, dance, performance, film and literature.
Fri Sept 27 & Sat Sept 28, 8pm at The Kitchen, NYC
http://www.thekitchen.org/event/simon-leung-actions
Simon Leung: ACTIONS!
In our age of precarious work, what is the role of the “art worker?” What constitutes an “art action?” Using conventions of workers’ theater, academic conference, vaudeville, and postmodern dance, ACTIONS! gives thought to these questions by looking again at moments when “actions” were directed at the Museum of Modern Art: in 1960/70s by groups such as the Art Workers’ Coalition and Guerilla Art Action Group, when art activism was tied to civil rights and anti-war movements; and then in the year 2000, when members of the Professional and Administrative Staff Association (PASTA) at MoMA, which included curators, librarians, sales staff, editors and others, staged a four month-long labor strike. Originally inspired by the 2000 strike, ACTIONS! also returns to the recent past of the last two years, when protests in the art world by activist groups such as Occupy Museums and Occupy Wall Street Arts & Labor bring to bear the conditions of working in the art world today. Among collaborators reconsidering the intersection of art, labor, community, and politics today are union members, museum workers, activists, and artists, including Yvonne Rainer, Arlen Austin, Kabir Carter, Benj Gerdes, Sasha Sumner, Pat Catterson, Marina Urbach, Valerie Tevere & Angel Nevarez, Beth Whitney, Chris Kasper, Julian Tysh, Carina Evangelista, David Kelley, Filip Noterdaeme, Lumi Tan, Marcus Civin, Burns Magruder, Benjamin Young, W.A.G.E., and Andrea Fraser. Saturday’s performance concludes with a live discussion among participants including Leung and Julia Bryan-Wilson, moderated by Tim Griffin. Admission is based on MoMA policies in the year 2000.

Art in Odd Places performance Oct. 2013
The Hopscotch Formula
by Susan Begy & Sasha Sumner
The public, all ages, are invited to participate in a spontaneous game of hopscotch. On a scale of 1 – 10, what is your state of happiness now? A snapshot will document your happines-self-evaluation immediately after play. The activity, which could cover an entire city block, is a playful reminder of the youthfulness hidden in all of us. Night-time video projection on the street will feature highlights.
‘Love Jackie’ Outdoor video projection
Ventana244 Art Space
Brooklyn, NY
northsidefestival.com/
In the 1940’s, at age 17, Jacqueline Bouvier (Jackie Kennedy Onassis) wrote a series of love letters to her then Harvard boyfriend, R. Beverly Corbin Jr.
Jackie’s letters reveal precocious and forthright notions on love and family relations. Recently the letters were sold for $13,450 when they were put up for auction by Corbin’s son.
facebook.com/NorthsideFest.
PHANTASMA: Carmen Miranda and Frida Kahlo
In this performance art piece, Sasha Sumner and Nadia Menco
channel the iconic figures of Frida Kahlo, Carmen Miranda,
and Billie Holiday in a contemporary setting. As living spirits
of our time, these characters engage in a series of both large
and small gestures where sense of time and place are shifted,
where the past meets the present. Music and video projections
are featured including clips from Occupy Wall St.
Since last post there’s been another ‘regime change’ or ‘new way’ at the census HQ, the third since when I started. These changes have had an unfortunate trickle down effect. This means that the rules about filling out the forms have been changed again.
Whereas, initially, if we got the full, correct information from a direct home-dweller interview on the first try that was acceptable, then with the second HQ regime, maybe due to the great urgency with which to re-do the enumerating that was fraudulently done initially, see the published wrongdoings, it was acceptable just to get an apt population count from a neighbor nothing more, then on this third regime change, it’s only acceptable if the information is collected on the fourth try, regardless of whether all info was obtained on a first try, and get it done in 3 hours. That means more extra time/work- in some cases unnecessary! And more info that is not gotten because time is too short to properly collect it.
Since the Brooklyn Census debacle occurred, there has been fallout that workers and residents have suffered from. Residents are STILL pissed off for having given the information numerous times, enough is enough! This will make the next phase of the Census work (confirming specific cases) even more difficult, oh dear!
Yet, I succumb to the national zeitgeist of our times- feeling that attitude that comes from knowing employment is down. With the Census, godammit, at least it’s Work! even if angry residents give you grief. Co-workers are friendly thank you and oh, it’s a temporary job!